Phages in the Gar­dens

Pic­tures Con­sid­ered #47

by Roberto

Fig­ure 1. Sculp­ture in the gar­den of Holy­rood Palace (Source: Roberto Kolter)

A few weeks ago, I found my­self aim­lessly ex­plor­ing the gar­den of the Palace of Holy­rood­house (Ed­in­burgh, Scot­land), which has served as the prin­ci­pal res­i­dence of the Kings and Queens of Scots since the 16th cen­tury. In­side, one can visit the his­toric apart­ments once oc­cu­pied by Mary, Queen of Scots. But it was the gar­den that I found most strik­ing. I me­an­dered about ad­mir­ing the land­scape, lost in think­ing about the his­tory of the place; there are re­ports that the gar­den once har­bored a menagerie with a range of an­i­mals, in­clud­ing li­ons and tigers and bears, oh my! Sud­denly, I came face to face with a stun­ning sculp­ture of… a phage! Or, at least, that's what I thought. "T4!" I yelled in per­fect si­lence, bring­ing my stroll to an im­me­di­ate halt. I was star­ing at a two me­ter tall rep­re­sen­ta­tion of a phage par­ti­cle with its char­ac­ter­is­tic icosa­he­dral head, col­lar, tail and base plate.

Fig­ure 2. Sculp­ture in the gar­den of Glen­garry Cas­tle Ho­tel (Source: Roberto Kolter)

Car­ry­ing that im­age in mind (and in the cam­era), I left Ed­in­burgh and headed north to ex­plore the Isle of Skye, the High­lands, and one or more dis­til­leries. Two days af­ter en­coun­ter­ing T4 at Holy­rood, I was on an­other idyl­lic walk. This time on the grounds of the Glen­garry Cas­tle Ho­tel, on the shores of Loch Oich, be­tween Loch Ness and Loch Lochy. Lo and be­hold! In the hotel's gar­den, an­other mag­nif­i­cent sculp­ture of a phage! This one re­ally cap­ti­vated me be­cause not only did it rep­re­sent the phage's icosa­he­dral head on top its tail, it was cov­ered in a mar­velous melange of lichens, ad­mit­tedly some of my fa­vorite small things. Jack­son Pol­lock could not have painted the sculp­ture more art­fully than Na­ture had. "So what's with all these phage sculp­tures in Scot­land? Such ex­quis­ite art, how come I had not heard of these be­fore?" I won­dered lost in a fan­tasy world.

Fig­ure 3. Elec­tron mi­cro­graph of phage T4 (Source, cred­ited to John Finch)

It did not take long to come back to Earth, to ac­cept the fact that these could not be sculp­tures hon­or­ing the most abun­dant crea­tures of our planet. These sculp­tures clearly were cen­turies old while the ear­li­est elec­tron mi­cro­scope im­ages of phage date back to only the mid­dle of last cen­tury. "What could these sculp­tures be?" It took very lit­tle time search­ing to en­ter the uni­verse of sun­dial sculp­tures, an art form that seems to have had its apex in sev­en­teenth cen­tury Scot­land. These two phage-like sculp­tures were once elab­o­rate sun­di­als; two out of hun­dreds of sun­dial sculp­tures scat­tered across Scot­land. My re­ac­tion: "It must be the over­abun­dance of sun­light in these parts of the world that drove this sun­dial ma­nia..." Nonethe­less, for a few hours I be­came fully im­mersed in the study of the di­ver­sity of struc­tures of these fa­bled sun­di­als. I was struck by the fact that two such dif­fer­ent routes had led to sim­i­lar forms with such dif­fer­ent func­tions. Evo­lu­tion, af­ter mil­lions of years, yielded T4 as a bac­te­r­ial preda­tor. Stone­ma­sonry of sev­en­teenth cen­tury Scot­land and the artist's cre­ativ­ity had yielded an icosa­he­dral "head on a tail" to tell time. Now, here's a cu­ri­ous fact. Af­ter a long (though not ex­haus­tive) search, I found only two ex­am­ples of sun­di­als with icosa­he­dral heads. And I had lit­er­ally stum­bled upon the two of them in the space of two days. More­over, I came across no other sun­di­als. That still mys­ti­fies me. Re­gard­less, it was won­der­ful to wit­ness how my love of small things led me to con­sider the na­ture of much larger things. You live and learn.

 

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